D16 SilverLine Bundle (Download) All FX plug-ins
Pay /mo. at % APR. Learn more
18+, T&C apply, Credit subject to status.
Digital licenses are usually delivered via email within 15-20 minutes of ordering.
We encourage customers to install trial versions to ensure they work on their system prior to purchasing
Once redeemed it is not always possible to take returns or refund software licences
Key Info
Tekutron
Enter the Delay Matrix
Tekturon is a multitap-delay effect with 16 independent, high-quality delay lines. What really sets it apart from other, similar products, however, is the way it’s controlled and the unique topology into which the taps are arranged: The Delay Matrix. In fact, Tekuron can't be thought of as a tap-delay effect in the strictest sense, but more of a sequence of taps equally delayed from each other, whereby working with the plugin strongly resembles using a step sequencer. This rather unusual design should give your creativity just the kick it needs!
Inspired by Ergonomics
Each and every aspect of the plugin’s workflow is presented in a visually clear and intuitive way, allowing for quick and precise control of every facet of the device, as well as the ability to easily tame all 16 delay lines it contains with global controls. The ability to visually grasp the entire layout with minimal effort allows you to achieve even the most complex results with extraordinary speed.
Antresol
A Legendary Flanger Resurrected
In bringing the classic stomp box back to life, we’ve created a must-have effect plugin that will appeal not only to performing guitarists, but to instrumentalists and producers of virtually any genre: whether it’s rock guitar riffs or melodic synth lines you’re into, you’ll find that the extreme attention to sonic detail coupled with the flexibility afforded by modern technology in Antresol make it the perfect example of what a flanger should be in the modern era. The original, conceived in the mid-70s, quickly became a benchmark for flanger-type effects by offering a uniquely rich character defined by luxuriously harmonious interacting resonances, and has been heard ever since on countless classic recordings. That’s why D16 couldn’t resist the opportunity to resurrect the soul of this classic in a thoroughly modern incarnation with Antresol, our newest effect in the SilverLine Collection!
Loaded with features way beyond the original
Antresol's users can also enjoy absolute freedom of control over every aspect of the BBD-based delay line (including such nuances as calibration of the linearity of the clocking system or the number of analog memory cells constituting the backbone of the BBD). Fashioning a flanger sound that is uniquely you yet retains all the richness and warmth afforded by the original, classic circuit design has never been easier!
In addition to the standard parameter knobs found on the face of the original unit, there is also a wide range of deeper parameters available to tweak, such the on-PCB trimpots which would normally be inaccessible without taking the stompbox apart. Some even go far beyond those you could find in common flanger-type effects: a fully controllable LFO (with adjustable phase and rate sync to a host application’s tempo); the ability to delink the stereo channels and control the most important parameters independently for left and right (or mid/side, depending on selected mode), and more. Try the demo today and see where your imagination takes you!
True BBD emulation with Total control
An exceptionally accurate emulation of an impulse-controlled, solid-state analog delay line (a Bucket Brigade Device) is responsible for the impeccable sonic characteristics found in Antresol. Effects based on high-quality BBD emulations stand out with remarkable, even seductive warmth, and we have no doubt that the tremendous success of D16’s first foray into BBD delay line emulation, the chorus plugin Syntorus, has been directly attributable to this approach.
The key element around which Antresol is designed, an analog BBD integrated circuit, proved to offer some unique challenges for a digital emulation of this type. In particular, the feedback parameter showed some weaknesses in the form of improper shapes of emerging peaks and notches in the frequency response, forcing us back to the drawing board. After much R&D, our Eureka moment came in the form of a much-refined BBD emulation using quasi-analog signal representation throughout, guaranteeing behavior much more akin to the original, physical circuit. While a bit chaotic, it includes all the benefits and subtleties the analog domain can offer—unlike a deterministic, classically digital algorithm—and all this without any unwanted artifacts such as aliasing (something we always take great pains to minimize)… and all with the rock-solid stability only digital can offer!
Syntorus
There are many different chorus effect plugins available on the market today. However, finding one which gives the classic analog chorus sound is easier said than done. Even on expensive units with advanced parameter controls, getting that vintage chorus timbre can be a challenge.
With this in mind, D16 set out to create a plugin which would have a rich analog chorus similar to the effect found on classic synthesisers like the Solina, Synthex or Juno. This new effect is called Syntorus and is the latest addition to the Silver Line of plugins.
Syntorus has a unique sound which will add richness to any instrument it is used on. Synthetic basses and leads will come to life. It will also add extra depth and lushness to acoustic instruments. Whether you are an electronic musician, a traditional keyboard or guitar player, we are sure you will be impressed!
Now for the science... To create a chorus effect, an audio signal is mixed with one or more delayed, pitch modulated copies of itself.
Analog Delay Line
The delay line module is the most important part of any chorus unit. To give Syntorus its unique and special sound, we implemented a very precise model of a high quality analog delay line and projected this into the digital domain. This means that Syntorus has a very musical and warm sounding delay line with no unwanted digital artifacts.
Syntorus also has an emulation of a Bucket-Brigade Device (BBD) analog delay line included within its architecture. Turning this on, will add extra analog warmth and character to the audio signal. With BBD off, Syntorus functions as an exceptional high quality chorus effect unit where the spectrum of the sound is clean and pristine.
Double Delay Line
In most ordinary chorus effect units, a single delay line is used to create the sound. As Syntorus is no ordinary plugin, we decided to implement TWO high quality analog delay lines to give a richer, fuller and deeper chorus sound. These can be set to operate separately or configured to run in a master/slave mode. Full control is provided over all parameters in the signal path allowing for absolute freedom when sculpting the sound.
Tremolo
Both delay lines have an additional tremolo effect included which is controlled by a LFO - very useful for playing Rhodes keyboards or guitar sounds.
The Tremelo effect can be used on its own or added to the delay line signal to create even more dynamic and moving sounds. Complete Synchronization of LFO with Hosting Application. Each LFO can be synchronized with the host application. In this mode the period of the LFO depends on the host tempo and is set as a musical measure. This feature is standard on most plugins. However in Syntorus, the phase is also perfectly synchronized with song position within a project. This guarantees that Syntorus will always play exactly the same way wherever we are in the timeline of a song or project.
Toraverb
The concept algorithm implemented in the unit allows to create practically ANY type of reverb.
When creating Toraverb, we did not base it on any current reverb unit available in the market. We did not implement any "off-the-shelf" algorithm. Toraverb is not a classic type reverb unit like spring, room, hall or plate. Toraverb is a concept algorithm reverb. Using a set of easily accessible parameters, it allows the user to create practically ANY type of reverb. Our goal was to create a reverb which would sound pleasant to the listener and the output could be tweaked in many ways by the user.
Reverb is a critical effect in a mix. Result depends on the reverb algorithm used and the quality of the implementation. Usually reverb is used as a send effect in which many channels in a mix are routed to it. If a low-quality plug-in or hardware unit is used, the end results can sound very disappointing with the reverb tail sounding like it had been “ripped-off” in the mix.
Decimort
Decimort recreates the colouration and adds the vintage sampler's magic to any sound.
Electronic music (especially Hip-Hop) producers have long been aware that classic samplers (such as early Akai and E-MU units) had a character and sound all their own: they added a "grit" and "color" to the samples and loops they played back which made them sound "fat" and sit well in a mix. This sound coloration was due to the encoding techniques, lower sample rate and bit depth, and conversion circuits used by these early samplers. Decimort recreates this coloration and adds that vintage sampler magic back to any loop, any bassline, or any sound played through it for that matter! Beyond vintage sampler emulation, it’s also the perfect bit-crusher with filter, capable of extreme settings for dramatic results.
The highest quality low-quality effect you can buy
While this tagline may seem like an oxymoron on the surface, allow us to explain: the Decimort effect unit (available as part of the SilverLine collection of plugins from D16) is a premium grade bit crusher and sample rate reducer with some highly unconventional features. The advanced signal processing algorithms within Decimort simulate the complex behavior of the entire sampling path that exists in every AD/DA converter, and with version 2 comes far greater control over the process!
Decimort has zero internal aliasing—in fact, the only aliasing present is the emulated aliasing of the classic samplers we modeled when creating it. Unwelcome artefacts are completely absent in the processed signal: only the desirable, modeled ones remain.
More control than any other effect of this type
Decimort isn’t just another bitcrusher with only bit resolution and sampling frequency to tweak; in fact, it provides far more advanced features than you likely could have ever expected from an effect of this kind, all implemented in stunning quality:
Two optional anti-alias filters - A very steep low-pass pre filter (Approximative Filter) coupled with the resampling frequency that removes all harmonic content above it, ensuring no aliasing will appear below this frequency in the spectrum. A further post filter (Image filter), also synchronized with the resampler, gives control over amount of aliasing images appearing above resampling frequency when enabled. Adjustable Jitter - An unprecedented feature in the bit crusher’s world which introduces short-period, random fluctuations to the resampling frequency, thus making the process even more sonically interesting by producing a type of harmonic distortion you’ve likely never heard in this context. Two quantization methods - Two available quantization methods; the mid-raiser and mid-tread decimation algorithms, each of them characterized by a drastically different dynamics response. Controllable dithering - Dithering was conceptually developed as means to reduce audible quantization errors by masking the harmonic distortions they cause. We added controllable dithering to increase number of ways in which you can (mal)treat the sound. All this adds up to a very powerful and musical tool which is not only another creativity-releasing item for your arsenal, but one that gives you the ability to emulate classic sampling units in-the-box—now with even greater precision through access to a variety of parameters unavailable up till now in effects of this type!
Redopter
Vintage Tube Distortion effect
Precisely modeled tube distortion module capturing the sensitivity, warmth, and character of real tube saturation and analog circuits. NEW With refined emulation.
Parametric EQ
4 Band fully parametric equalizer provides unparalleled control over your overdriven and distorted tones.
Independent stereo processing
Redoptor accurately emulates the sonic signature of a classic high-gain guitar amplifier while offering the flexibility of a modern stereo signal path.
Dynamics under control
A compressor before the gain stage lets you shape the tube circuit’s response, and a master output limiter tames your fierce distorted levels.
Overview
Redoptor is a high quality Vintage Tube Distortion emulator
The organic sound of a tube amplifier being pushed into breakup has been the gold standard for overdriven and distorted tones for as long as musicians have been intentionally distorting their signals.
The gentle natural compression and rich blend of even and odd harmonics produced by analog tube circuitry make any effected signal feel more powerful, punchy, and alive.
Unlike solid-state transistor and fuzz circuits which only produce odd harmonics and limit the incoming signal in an unnatural and unresponsive way, Redoptor smoothly and dynamically responds to the changes in volume of incoming audio, just like a real tube amplifier. This means that louder sounds are saturated with more crunch and delicious harmonics, while softer and naturally decaying sounds clean up gradually. This creates a very sonically pleasing distortion.
Fazortan 2
Fazortan 2 is the new incarnation of Controllable Space Phaser which is part of our SilverLine Collection. No need to say we didnt cut much corners on quality and that robust, yearned by all - analog feel of the sound. Total control over the Phase shifter provides you with adjustability and allows to obtain the desired contour with high precision. Have you ever wondered where does that unique magical breeze so audible in most of Jean Michael Jarre's tunes come from. Surprisingly the backbone here isn't the synth itself but the effect unit coupled with the synthesizer, saying more precisely - analog phaser of which our Fazortan 2 seems to be a fine equivalent. Thanks to the analog modelling technique we were able to implement allpass filters comprising characteristics identical to its analog counterpart based on Operational Transconductance Amplifiers. Now in version 2 we're even closer to the sound character the original hardware unit brings.
You can think about Fazortan 2 as of the exact copy of a retro phaser taken out from 70's and redone to become a virtual unit. But being the same sounding unit that provides primal functionality and sound of the original is where similarities end and where limitless scope of plugin comes to play. Bearing on mind only one Rate knob and a Color switch on the front panel of the real phaser device, Fazortan 2 from the first look at its GUI, presents itself as a completely new device that effectivelly expands capabilities of its origin.
Structure
Full control over two LFOs (waveform, rate and depth) controlling the unit and unlike the hardware unit Fazortan 2 LFO works in various waveform modes: sinus, triangle, hyper-triangle and random (i.e. only triangle is available in original).
By using both LFOs simultaneously you're now able to obtain the result that owners of the hardware box could only dream about. Endless countour diversity stretches results from monotonius sluggish swing to become a gurgling scrumble, just by a slight repositioning of the rate knob. Additionally, it is now possible to add consecutive allpass stages as well as regulate the feedback effect. The amount of stages translates on how many humps and pits residues in the converted sound spectrum while feedback parameter value implies severity of these irregularities. Feedback knob gives you sounds from soft to rapid and drilling. To visually display how it works consider a white noise as an input signal. Moving the feedback knob will start to morph incoming "sea waves" reminiscent noise into "windy" whizz. Additionally, each lfo can be modified by altering its respective phase giving, as a result, an improved panning of the incoming signal.
Devastor 2
The sweet spot in distortion domain
Devastor 2 is the second generation of D16’s first FX Plugin from the SilverLine Collection series. Devastor is a deceptively simple yet remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit you can find in Phoscyon, but with full control over multiband processing. This elevates its sonic mangling capabilities to an entirely new level!
Structure
The plug-in consists of four essential blocks:
Dynamics-flattener module (one-knob controlled input signal compressor) Diode-clipper distortion Three multi-mode filter sections Optionally activated signal limiter The plug-in offers nine different connection topologies between its filters and diode-clipper. Filters can process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper, which greatly increases the possible sonic palette.
Devastor’s filters are not simply the peaking EQ type which are commonly used in classic multiband distortion units: rather, they are like those found in analog synthesizers (low pass, high pass, band pass and band reject) with adjustable resonance and cutoff parameters. As a result, Devastor has a completely unique sound. Just check out the factory content and hear for yourself!
Versatile and advanced
Devastor can be used to distort and enhance a wide range of sounds, from full-on acid synth sounds to guitar fuzz or an analog amp with speaker combo. It can even be used with drums to make them sound dirtier and more dynamic! Devastor isn't just good at creating distorted, monster sounds: it can also be used subtly to improve the timbre and character of gentler sounds. For example, reducing the preamp gain, increasing the threshold, and selecting a soft-knee for the dynamics will bring out more warmth and detail in a sound without introducing distortion.
When designing Devastor, we applied special antialiasing techniques to the output signal to make sure it was devoid of aliasing (one of the reasons why digital distortion units can sound so cold and un-musical). As a result, Devastor has a warm, musical, and very high quality sound.
We would like to invite you to listen the audio examples to whet your appetite and to check out the demo version for yourself if you need any more convincing. Devastor uses algorithms of such high quality that you'd be forgiven in a blind test for wondering if the sound has somehow been sent from the computer to an external analog distortion unit and back into the computer again!
Highlights
- Tekutron
- Antresol
- Syntorus
- Toraverb 2
- Decimort 2
- Redopter 2
- Fazortan 2
- Devastor 2
- SKU:
- 1178-125
- Model Name:
- SilverLine Bundle (Download)
- Brand:
- D16
UK Delivery
FREE Standard Delivery on orders over £99.00.
Orders placed before 4pm will normally be dispatched the same day.
Please refer to our delivery schedule for exceptions.
Delivery Upgrade Options (Over £99)
- DPD Express Next Working Day - £4.99
- Next Working Day Pre 12pm - £8.99
- Saturday / Sunday - £9.99
At Music Matter, our goal is to ensure complete satisfaction with your purchase.
If, for whatever reason, you are dissatisfied with your purchase, you can return it to Music Matter within 30 days of receiving the item, providing it arrives back in new condition.
You have the option of receiving a full refund / exchange within 14 days, or, exchange / credit only within 30 days.
Full Refund Within 14 days
In order to receive a full refund, you must notify us within 14 days of receiving the goods. Once you have notified us you will have 14 days to return the product to us.
Exchange Within 30 days
In order to exchange an item, you must notify us within 30 days of receiving the goods. Once you have notified us you will have days to return the product to us.
Goods received back 14 days after the cooling of period ends may be rejected.
Your returns period starts the day after you receive the item(s)
Click here to view our full Returns Policy.
Secure Online Payment Powered By Braintree
We accept the following debit / credit cards:
Paypal
Pay for your item(s) in just a few clicks with PayPal.
Pay Later with PayPal Pay in 3
Split purchases into three interest-free monthly payments at millions of stores online.
Subject to status. UK residents only. Late fees apply. PayPal is a responsible lender. Pay in 3 performance may influence your credit score. T&Cs apply.
Check out securely with PayPal and choose Pay in 3 from your account.
Subject to status. Terms and Conditions apply. UK residents only. PayPal is a responsible lender. Pay in 3 performance may influence your credit score. PayPal Pay in 3 is a trading name of PayPal (Europe) S.à.r.l. et Cie, S.C.A., 22-24 Boulevard Royal, L-2449, Luxembourg.
Click here to learn more about Pay in 3.
PayPal Credit
0% interest for 4 months is available on single transactions of £99.00 or more.
PayPal Credit is like a credit card, without the plastic. It's a credit limit that's attached to your PayPal account which you can use for your online purchases.
Check out securely with PayPal and choose PayPal Credit to apply for credit.
Finance provided by PayPal Credit. Credit subject to Status. Terms and Conditions apply. Music Matter acts as a broker and offers credit from PayPal Credit. PayPal Credit is a trading name of PayPal (Europe) S.à.r.l. et Cie, S.C.A., 22-24 Boulevard Royal L-2449, Luxembourg.
Minimum 12 Months Warranty
All new & used goods supplied by Music Matter are warranted free from defects for 12 months from the date of supply (unless otherwise stated).
Extended Warranty
Many manufacturers offer a free extended warranty upon registration.
